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has anyone figured out the collar route again? Because I have just been trying and nothing works so far.

Haven't figured out a run that works, but I've noticed all my attempts have Allison trying to fuck you on the table off the rip when chapter 5 starts, and I'm wondering if getting a run where Allison is not fully bought in is needed, which I also have no idea how I would make happen.

The alertness point is really interesting, because to me, I was imagining some things as being like, not being concerned about them because you are causing them, stuff like Allison being more generally horny, I was envisioning a mentally of, yeah she is, that's what I've been training her to do. I imagine some stuff like that is just the inherent fact of, eventually someone needs to decide how things flow, and that won't always be the same way a person playing the game will interpret things flowing. None of this by way of trying to bash yourself Daphne or anyone else working on the project.

As an aside a like, zoomed out level understanding how those decisions work internally would be super fascinating, just cause these kinds of projects are very interesting imo.

That author's name... is this by chance the same artist as Maxx, who long ago began both Trigger Warning and After the Show?

Nope, entirely a coincidence.

This definitely is interesting to hear about. More characters, though? Character bloat could get a bit crazy... exponentially branching choice trees... I'm surprised you don't force more linearity.

That author's name... is this by chance the same artist as Maxx, who long ago began both Trigger Warning and After the Show?

Personally find this fascinating, and it does help to understand a bit. I feel like hereno particularly figured out choices impacted prior states of the protagonist character, but even I figured out that how you said things impacted choices made previously. I think the most blatant one being whether you say "text from Annie " or "Nobody important". That single line of dialogue effectively chooses polygamy or monogamy for you as the protagonist, as the next morning you will either be in the story where Lorelei is a lover still (affair) or she is just your friend (though still a lover from your past). I'm sure (we know) it impacts other things too that's just the most obvious.

I'm kinda glad you gave the numbers on what a bot does etc and just how many indidivual choices there were. I had at one point thought about cataloging each choice but always felt like there would be too many branches so to speak. Now I know there's too many branches, and it's better to make broad strokes. Ala polygamy and monogamy state, exhibitionist or private, master /slave or cuck boy to name a few.

A herculean task you've made for yourself but one I hope to see through to the end. Looking forward to 4.1, it sounds like at least some answers will be given in that update.

Script: Daphne • Art and Lettering: OneDollarBilly

It's date night!



Script: Daphne • Art: Maxxx.Art • Lettering: George Zipp

I'll see if I can get back there

Thanks! It's kind of an axiom of SM that there is nothing random in it, so I want to make sure it fix anything that crept in.

I'll see if I can get back there